‘Children are remarkable for their intelligence and ardour, for their curiosity, their intolerance of shames, the clarity and ruthlessness of their vision.’ — Aldous Huxley We began the session drawing faces, practicing on tracing paper before transferring to the styrofoam. The children quickly got the hang of etching into it, creating wonderfully detailed characters. … Continue reading Children’s Printmaking Day
This was a Cyanotype Drop-in Session I ran at Cardiff Print Workshop. After my short introduction about the history and process of cyanotype printmaking, participants experimented with a variety of objects and techniques to produce interesting, abstract photograms.
In preparation for the drop-in cyanotype session I'm running on Sunday at Cardiff Print Workshop, I arranged some plant life and other things onto coated paper and left it to make its mark in the sunshine. Here are the results.
Prints developing in the bus stop: Charlotte Biszewski's cyanotype session at Spike Island in Bristol. Rinsing out the chemicals. One giant banner of tracing paper transferred onto the prepared paper for exposure by the sun (which happily obliged, despite rain forecast). Detail after being hosed.
Automatic drawing or painting can be described as “expressing the subconscious” using any technique that eliminates conscious control and replaces it with chance. The basic techniques originate from spiritualism, practiced by artists such as Georgiana Houghton and Hilma Af Klint, both of whom have recently had their work exhibited in a revival of interest and … Continue reading Making a Mark: The Art of Automatism