New Work

I have been revisiting Max Ernst's work, specifically his frottage, grattage and coulage techniques that prioritised automatism. Using his grattage (scraping) technique, Ernst covered his canvases completely with pattern and then interpreted the images that emerged, thus allowing texture to suggest composition in a spontaneous fashion. In The Forest the artist probably placed the canvas … Continue reading New Work

Ibrahim El-Salahi: A Visionary Modernist

I first came across this artist at Tate Modern in 2013, surprised that this was the first exhibition there dedicated to African Modernism. Ibrahim El-Salahi has recently had a solo exhibition at the Ashmolean, Oxford where he now lives. I stood in front of this 8 foot square painting: Reborn Sounds of Childhood Dreams I (1961–5) … Continue reading Ibrahim El-Salahi: A Visionary Modernist