Exploring the amazingly magical Iceland this week on the Children’s Storytelling and Art Course, where an elf expert is consulted before routing a new road through rock piles that may be elf habitats, and trolls are everywhere in the landscape if you know where to look.
Elf Queen by Bethan
Troll by George
Trolls by Theo
Elf Ship by Iolo
Satlech by George
Ghost Mazes by George and Caius, and poltergist by Paddy.
Once again using set parameters of reclaimed tile 50x50cm, and circular form, I am continuing to experiment with elements of relief using plaster and glue to create texture (inspired by Ernst’s experiments). The composition, apart from these self-defined limits, is automatic.
“The joy in every successful metamorphosis conforms . . . with the intellect’s age-old energetic need to liberate itself from the deceptive and boring paradise of fixed memories and to investigate a new, incomparably expansive areas of experience, in which the boundaries between the so-called inner world and the outer world become increasingly blurred and will probably one day disappear entirely.”
“What is Surrealism?” (1934), Max Ernst
Travelling back in time to Ancient Greece this week, the children of the Storytelling and Art course heard about the many chimeric creatures that inhabit the myths: Minotaur, Satyr, Harpy, Sphinx, and Chimera. Inspired, they created their own hybrid monsters, cutting up old magazines to produce these fantastic collages.
In their passports, participants of the Storytelling and Art from Around the World course inserted a picture of themselves as a character of their choosing complete with name, magical attributes, and planet of origin.
Using coloured acetates, windows were made to look in upon various characters created in response to folk stories. This week: Il Gatto Mammone, or The Tale of the Cats in which a girl tugs up a cauliflower revealing a large tunnel into the earth that leads her to a house of cats and adventures therein.