For our Saturday afternoon drop-in session to experiment with cyanotype, or sun prints, participants brought along an assortment of things to try out on the photo-sensitive paper. Beads and seeds, feathers and flowers fresh from the garden were laid out and placed under the UV light bed for exposure. Creating compositions using a variety of … Continue reading Seeking Transparency
This was a Cyanotype Drop-in Session I ran at Cardiff Print Workshop. After my short introduction about the history and process of cyanotype printmaking, participants experimented with a variety of objects and techniques to produce interesting, abstract photograms.
Automatic drawing or painting can be described as “expressing the subconscious” using any technique that eliminates conscious control and replaces it with chance. The basic techniques originate from spiritualism, practiced by artists such as Georgiana Houghton and Hilma Af Klint, both of whom have recently had their work exhibited in a revival of interest and … Continue reading Making a Mark: The Art of Automatism
There is something raw and deeply absorbing about Hannelore Baron's multi-layered work. Found materials are combined with enigmatic text and abstract figures in her collages and box constructions. The work suggests both the condition of entrapment and the possibility of release, no doubt informed by her early traumatic experiences of war in Germany in … Continue reading Homage to Hannelore Baron
Two interesting exhibitions in London recently: Hilma Af Klint at the Serpentine Galleries and Georgiana Houghton at the Courtauld Institute of Art. Hilma Af Klint (1862–1944), of Sweden was creating abstract works about five years before Kandinsky. Through her work with the group "The Five,” af Klint created experimental automatic drawing as early as 1896, … Continue reading The First Abstractionists