Close Your Eyes and Sing

Our workshop ‘Close Your Eyes and Sing: Expressive Painting,’ for the community arts festival, Made in Roath was a great success. More than fifty abstract works of art were created by individuals using the backs of old carpet tiles, and Picasso’s advice that ‘to draw you must close your eyes and sing’.

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Our first participants were good on the eyes closed part, but struggled to think of song lyrics, and didn’t seem keen on just humming or la la-ing, despite much encouragement! We weren’t too strict about following the rules, and by Sunday most people were painting with eyes wide open, which produced slightly different, more controlled work, but overall there was no worrying about not being able to paint or draw, as everyone was willing to have a go at manipulating the paint.

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I loved how the works were all so wildly different: even though the only materials were basic poster paints in primary colours, there was a surprising range of tones and textures and some wonderful mark making and use of negative space.

Participants working on their tiles.

 

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A few people came back the next day for a second go, or to tell us how much they enjoyed it. As it was such beautiful weather, it was possible to dry the paintings in the sun so that participants were able to collect their work later in the weekend.

 

 

 

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Painting the Tiles

This year, the fabulous Made in Roath festival have received funding from the Welsh Arts Council, and invited artists to apply to run workshops or exhibitions throughout the festival. I decided to expand on the theme of my last year’s workshop, using one of Picasso’s quotes: ‘To draw, you must close your eyes and sing,’ as a way to encourage visitors to overcome inhibitions about painting and drawing.

I will be using the backs of old carpet tiles that were in my studio when I moved in, as, when primed with emulsion, they make ideal painting surfaces. So that is what myself and a fellow artist have been doing in preparation for the big weekend of 21/22 October. We will be inviting visitors to take a tile and paint it with eyes closed while singing. We are hoping to create a colourful Art Path around the space, continuing outside into the community.

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Upcoming Exhibition and Workshop

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Georgina Peach and I are running an Expressive Drawing Workshop on Sunday 22nd as part of the fabulous madeinroath festival – see here for details. Expect scrunched up paper, paint flicking, drawing with eyes closed, and other fun ways of drawing/not-drawing.

 

“Expressive, or automatic drawing was used by the Surrealists to express the subconscious using any technique that eliminates conscious control and replaces it with chance. No drawing skills required, just a chance to experiment with lines and marks to create bold and dynamic work. Drawing from instinct and feelings, rather than formal technique, without the pressure to create something recognizable can be very freeing.”

For the annual Made in Roath Open Exhibition, held this year at The Gate Arts Centre, I’II be exhibiting a triptych of small automatic paintings made spontaneously using a technique called sgraffito. Exhibition runs from 15th – 22nd October.

 

Night of the Winged Fox

Night of the Winged Fox

House of the Winged Fox

In the House of the Winged Fox

Offering to the Winged Fox I

Offering to the Winged Fox I

Winged Fox Triptych – acrylic, each 20x20cm

 

 

Making a Mark: The Art of Automatism

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Automatic drawing or painting can be described as “expressing the subconscious” using any technique that eliminates conscious control and replaces it with chance. The basic techniques originate from spiritualism, practiced by artists such as Georgiana Houghton and Hilma Af Klint, both of whom have recently had their work exhibited in a revival of interest and appreciation of automatism and early abstraction.

Surrealists such as Andre Breton and Andre Masson, were keen to experiment with automatic drawing and promoted it as an art movement. By this time, of course, psychologists of the unconscious had dismissed the idea of spirits speaking through the artist: it was the subliminal self that could express itself in ways that could lead to the development of real artistic genius. The new interpretive framework was now wholly secular and based on the insights of psychoanalysis, but the basic techniques were adopted from spiritualism.

Whichever way you wish to interpret it, drawing randomly without rational control is a good way to avoid inihibitions that freeze the flow of creativity. It is a way to bypass the ‘I can’t draw’ mentality a lot of people develop when the natural artistic confidence of childhood is abandoned.

Making simple marks and considering the relationships between them bypasses jugement by the logical brain about what is  “good” or “accurate.” It opens the doorway to the intuition, allows the emotions to be engaged, and allows enjoyment of the pure physical experience of artmaking.

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One of Georgiana Houghton’s spirit drawings – The Eye of the Lord (1 Sept 1870), and  Joan Miro – Preparations for Birds, detail, 1963.

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Automatic Drawing