As part of my role as creative practitioner at Ton yr Ywen Primary school, I arranged for two groups of Y2 children to visit Cardiff Print Workshop as part of the Lead Creative Schools Project. As we have been using cyanotype printing to create banners and flags from drawings of the Welsh folk stories the children have been hearing from Lowri, I wanted to show them the magical cyanotype process, and let them have a go at making some pictures.
First they arranged a selection of objects onto the specially coated paper and we put them under the UV light for a few minutes.
When the pictures were ready, the children could watch them come magically to life in the water.
Voilà! The finished work.
For our Saturday afternoon drop-in session to experiment with cyanotype, or sun prints, participants brought along an assortment of things to try out on the photo-sensitive paper. Beads and seeds, feathers and flowers fresh from the garden were laid out and placed under the UV light bed for exposure.
Creating compositions using a variety of materials.
The most effective were often the most transparent or delicate items. Mary brought along a tracing on acetate of grasses she had made for a lino cut, and this worked beautifully, with small skeins of wool for clouds. Experimenting with double-exposure techniques added depth and interest: netting placed over the exposed grasses gave the effect of light rippling through them.
Rosalind, who is a wonderful illustrator, began to draw her designs on tracing paper, adding photogram items such as glass beads to enhance the composition. The tracing paper also adds varying tones.
Glass bottles from a flea market became ghostly alchemist’s wares. Sally’s double exposure using feathers and dried hydrangea flowers was also magical.
This was a Cyanotype Drop-in Session I ran at Cardiff Print Workshop. After my short introduction about the history and process of cyanotype printmaking, participants experimented with a variety of objects and techniques to produce interesting, abstract photograms.
Jenny syringing water designs onto the surface before exposing
Derek’s space-inspired piece using glass beads, agate, seeds and water.
Rinsing the pictures after exposure
In preparation for the drop-in cyanotype session I’m running on Sunday at Cardiff Print Workshop, I arranged some plant life and other things onto coated paper and left it to make its mark in the sunshine. Here are the results.
Prints developing in the bus stop: Charlotte Biszewski‘s cyanotype session at Spike Island in Bristol.
Rinsing out the chemicals.
One giant banner of tracing paper transferred onto the prepared paper for exposure by the sun (which happily obliged, despite rain forecast).
Detail after being hosed.