Processions

The Women’s Arts Association has collaborated with Oasis refugee centre, Women’s Aid, and other groups to produce 31 squares for a banner to be carried through the streets of Cardiff  on Sunday 10 June. PROCESSIONS celebrates the fight for suffrage and expresses what it means to be a woman today. I’m proud to be a part of this inter-generational project that celebrates women’s progression towards equality, strength and cultural representation.

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My square with cyanotype centre.

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Visit to Cardiff Print Workshop

As part of my role as creative practitioner at Ton yr Ywen Primary school, I arranged for two groups of Y2 children to visit Cardiff Print Workshop as part of the Lead Creative Schools Project. As we have been using cyanotype printing to create banners and flags from drawings of the Welsh folk stories the children have been hearing from Lowri, I wanted to show them the magical cyanotype process, and let them have a go at making some pictures.

First they arranged a selection of objects onto the specially coated paper and we put them under the UV light for a few minutes.

When the pictures were ready, the children could watch them come magically to life in the water.

Voilà! The finished work.

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Creative Practitioner Project

I’m very excited to have been chosen to work as a creative practitioner in a local primary school as part of the Lead Creative Schools Scheme, an extensive five-year plan to embed the arts and creativity into the Welsh curriculum.

I and a fellow practitioner, Lowri will be working with a group of about twelve Year 2 learners to create a storytelling and outdoor art project, taking inspiration from the rich local history of the area surrounding the school.  The artwork created in response to the stories will be installed in a small wooded area in the extensive school grounds. 

Lowri, who grew up in the local area, and whose first language is Welsh, told us about the Tŷ unnos (one night house), an old Welsh tradition that claims if a person could build a house on common land in one night with a fire burning in the hearth by the following morning, the land then belonged to them as a freehold. The squatter could then extend the land around by the distance they could throw an axe from the four corners of the house. Old axe and spear heads were discovered in the back gardens of local houses, and as they can now be viewed in the National Museum in Cardiff, we considered taking the children on a field trip to inspire them for their stories and artwork.

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One aspect of the artwork will involve making prints from the children’s stories – both monoprint and cyanotype – onto material which will be hung as an installation in the wooded area. Clay and willow may also be used to create structures and sculptures…who knows how things will develop and grow as the children become immersed in the tales…I’II be posting regular updates as the project unfolds.

 

 

 

 

 

Seeking Transparency

For our Saturday afternoon drop-in session to experiment with cyanotype, or sun prints, participants brought along an assortment of things to try out on the photo-sensitive paper. Beads and seeds, feathers and flowers fresh from the garden were laid out and placed under the UV light bed for exposure.

Creating compositions using a variety of materials.

The most effective were often the most transparent or delicate items. Mary brought along a tracing on acetate of grasses she had made for a lino cut, and this worked beautifully, with small skeins of wool for clouds. Experimenting with double-exposure techniques added depth and interest: netting placed over the exposed grasses gave the effect of light rippling through them.

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Rosalind, who is a wonderful illustrator, began to draw her designs on tracing paper, adding photogram items such as glass beads to enhance the composition. The tracing paper also adds varying tones.

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Glass bottles from a flea market became ghostly alchemist’s wares. Sally’s double exposure using feathers and dried hydrangea flowers was also magical.

 

 

 

Cyanotype Workshop

This was a Cyanotype Drop-in Session  I ran at Cardiff Print Workshop. After my short introduction about the history and process of cyanotype printmaking, participants experimented with a variety of objects and techniques to produce interesting, abstract photograms.

 

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Jenny syringing water designs onto the surface before exposing

 

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Derek’s space-inspired piece using glass beads, agate, seeds and water.

 

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Rinsing the pictures after exposure