Liminal I

the seed is splitting there’s still time to climb the spiral staircase just breathe transformation happens ready or not I find the liminal times around twilight and dawn good for automatic work. I let my hand loose, and try to stay out of the way of whatever wants to emerge, sometimes with eyes closed. Then … More Liminal I

Palingenesis, and the Art of Everythingism

Two important exhibitions in London last weekend: Natalia Goncharova Retrospective at Tate Modern, and Lee Krasner: Living Colour at Barbican. In Goncharova’s famous painting, The Cyclist, the figure is willfully heading in the opposite direction to that indicated by the pointing authoritarian finger. It suitably sums up Goncharova’s spirit. A leading figure of the new … More Palingenesis, and the Art of Everythingism

Artists Apart

Two exhibitions in Swansea this weekend: Sarah Poland who has a residency in GS Gallery, and Frances Richards at the Glynn Vivian. Sarah Poland’s mark making using inks made from oak galls has a zen-like quality. I love how she combines this with photographic images she calls ‘moon-drawings’, made by using a long exposure on … More Artists Apart

Making a Mark: The Art of Automatism

Automatic drawing or painting can be described as “expressing the subconscious” using any technique that eliminates conscious control and replaces it with chance. The basic techniques originate from spiritualism, practiced by artists such as Georgiana Houghton and Hilma Af Klint, both of whom have recently had their work exhibited in a revival of interest and … More Making a Mark: The Art of Automatism