Writing as Art/Art as Writing

Here are some of my asemic experiments. I often use asemic writing as a way in to abstracts works. I create a mysterious script that transcends semantics. It is like a complex future language, a child's first attempts at writing, an ancient script or an undecipherable code. Asemic works place the viewer somewhere between reading … Continue reading Writing as Art/Art as Writing

Palingenesis, and the Art of Everythingism

Two important exhibitions in London last weekend: Natalia Goncharova Retrospective at Tate Modern, and Lee Krasner: Living Colour at Barbican. In Goncharova's famous painting, The Cyclist, the figure is willfully heading in the opposite direction to that indicated by the pointing authoritarian finger. It suitably sums up Goncharova's spirit. A leading figure of the new … Continue reading Palingenesis, and the Art of Everythingism

Artists Apart

Two exhibitions in Swansea this weekend: Sarah Poland who has a residency in GS Gallery, and Frances Richards at the Glynn Vivian. Sarah Poland's mark making using inks made from oak galls has a zen-like quality. I love how she combines this with photographic images she calls 'moon-drawings', made by using a long exposure on … Continue reading Artists Apart