A Brief History of Healing

Opening of the sister exhibition at Hearth Gallery, Llandough.  See ArcadeCampfa website for more details.

A Brief History of Healing is a collaborative partnership project between ArcadeCampfa, the Cardiff and Vale University Health board and visual artist and mental health service user Gail Howard. For the last two months Gail and artist/writer Sarah Featherstone have been working with patients, staff and visitors to University Hospital Llandough running basket weaving, creative writing and printmaking sessions via a repurposed drugs trolley. Through dialogue and art making A Brief History of Healing traces the patient narrative, focusing on the value of a therapeutic environment, particularly within an institutional context.

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With the arrival of Social Prescribing on the NHS and in recognition of the value of cultural, creative, social and physical activity in relation to our health, BHoH invited visitors to add their own recommendations for meaningful activity/a therapeutic environment in relation to our wellbeing.

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The split site show will be open at the Hearth Gallery, University Hospital Llandough from 12 – 30 September.

Print Exchange

Cardiff Print Workshop members have been invited to exchange prints with artists based in Grenoble, France where one of our members previously worked.

The workshop in France is called “Le Geste et L’empreinte”, and is run by artist, Anne-Laure Heritier Blanc, who currently leads printmaking sessions at the workshop on a monthly basis for a dozen or so people. See her website here.

 

I was paired with Marie-Noelle, who primarily etches onto tetrapack. This is the print she sent to me in response to one of my graffiti bottle series cyanotypes. She wrote: A bottle in street art style that only remains a reflection of a peaceful garden.

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This is the cyanotype I sent in return. It is from my ‘Genie in the Bottle’ series, made using vintage bottles and figures taken from ancient Persian and Indian manuscripts.

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Get Well Cart

An old drugs trolley has been repurposed to dispense art making & utopian prescriptions.

The trolley has been adapted and fitted with printmaking equipment including a set of brass letters to print words and phrases. Gail Howard and I are delivering pop-up printmaking and basket weaving sessions around the hospital.

The aim of the project is to highlight the value of art making in relation to our health. Many staff, visitors and patients have been filling out alternative prescriptions…

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…and printing their words.

The results will be displayed in the Hearth Gallery, Llandough, and Arcade-Campfa in September. The project ‘A Brief History of Healing’ is funded by Arts Council Wales.

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Printmaking Project at Beaufort Hill

As part of the Lead Creative Schools scheme – a joint Arts Council of Wales and Welsh Government initiative – Year 3 children at Beaufort Hill Primary School in Ebbw Vale have been collaborating on a storytelling project. They have brought together a small group of creative practitioners to help them create their own stories based on The Greedy Zebra and The Crafty Chameleon by Mylene Hadithi, making masks, creating performances and dance. I have helped them to create four banners of their stories using a combination of cyanotype and monoprint.

For the first workshop, I asked the children to draw their impression of the stories onto acetate. I then printed the drawings onto the material back at the workshop. For the second workshop, the children created borders around the prints using a selection of leaves to print impressions in different colours onto a yellow background.

I was impressed how quickly the children picked up the stages of the printmaking: squeezing and rolling out the inks, placing their leaf carefully onto the inked plate, covering it with paper and rolling again until the ink had saturated the leaf enough to get a strong print, peeling the leaf carefully from the plate, transferring it to the banner, and rolling it again to create the impression. They worked in small teams, experimenting with colour combinations and enjoying the chance to get messy!

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The finished story banners

Printmaking in the Hub

United Welsh Housing invited me to run some printmaking sessions centred around the theme of reconnecting with loved ones through card-making. Libraries in Llanrumney and Ely are transforming into multi-purpose hubs, with a view to connecting and supporting the local community, and we were able to encourage service users of all ages who were there to access other services, to give the printmaking a try.

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Participants reported that they found the process of creating their own card designs, inking them up and printing them, very satisfying.

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Some of the cards, created using styrofoam pizza bases, etched into and cut out.

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Alchemy and Healing

Catherine Lewis has taken over the gallery 1a Inverness Place,  an empty shop, as part of her wellspace residency.

Cat works with materials that she gathers from her local environment  –  natural, local plant materials, and uses sustainable print processes and recycled cloths.

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Catherine had collected water and wood from a nearby healing well site, and was using it as part of the residency, encouraging visitors to draw and write using her wonderful inks made from walnuts, beetroot, hibiscous, turmeric.

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The spring, which still exists at The Oval and which was the principal reason for the arrival of St. Isan in the area in 535AD, is known as Ffynnon Llandennis. Ffynnon Llandennis is one of a number of healing springs in Cardiff which were considered to be holy and endowed with powers of healing…

‘It rises out of the soil with great force, and immediately forms a pool of considerable size, which is overhung with trees, and teems with aquatic growths of various kinds. The scene is one of wild and romantic beauty…’ (John Hobson Mathews, 19C city archivist).

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The well-tree dressing has echoes of the clootie well tradition, which are places of pilgrimage in Celtic areas. Strips of white cloth or rags are tied to the branches of the tree as part of a healing ritual.

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Catherine has created a well-ness space for slow making and recovery; a space that houses her urban ink making lab, using the well water and materials found whilst walking between the well sites and the gallery. She invites visitors to bring ink ingredients to her and also donations of old bottles to store ingredients and finished inks.