The Women’s Arts Association has collaborated with Oasis refugee centre, Women’s Aid, and other groups to produce 31 squares for a banner to be carried through the streets of Cardiff on Sunday 10 June. PROCESSIONS celebrates the fight for suffrage and expresses what it means to be a woman today. I’m proud to be a part of this inter-generational project that celebrates women’s progression towards equality, strength and cultural representation.
My square with cyanotype centre.
after the rain in the bowls of
mighty Juglandaceae dark mirrors
nut of Jupiter
Boston-Cardiff circa. 1879
For the past five months, I’ve been a creative practitioner in a primary school, working with a storyteller to produce a record of the stories about the local area surrounding the school. We have covered a vast time period, from the Bronze age, right up to the mid-19th century. I have been using printmaking with the children to produce flags and banners to decorate a structure in the grounds now known as the ‘Tŷ unnos’, or ‘One-Night house’. In old Welsh law, it was stated that anyone who could build a house on common ground in a night, with a fire in the hearth by morning could own the land as a freehold.
This project has been a good thing on many levels. Firstly, through the stories researched and brought to life by Lowri, we have been celebrating, drawing and printmaking about forgotten truths. Since history is usually written by the victors – wealthy and often unscrupulous, we rarely get to hear the stories of the dispossessed whose lives they have trampled. Such was the fate of the dwellers of the Great Heath back in the 1800s when the Marquess of Bute successfully prosecuted a ‘squatter’ and began systematically to evict the Heath dwellers by setting their homes on fire. Through acting and drawing, we have brought a voice to the forgotten people of the Heath. We have created a banner in honour of the ‘Amazing Amazonians of the Heath’ – women, who, according to reports of the time, ‘acted the part of Amazonians, having armed themselves with pitchforks…’
We have also brought to life a poor young woman named Catherine Price who worked as a maid in one of the big houses, and in 1791, was hung at the gibbet on the Heath for stealing a plate and some clothes. She is imprinted on another of the banners that hang from the window of the Tŷ unnos, telling her story to the generations of children that play there.
Banners and flags are interspersed all around the Tŷ unnos, drawn and printed by the children and myself in response to the tales. The map below is a record of traditional Welsh myths that Lowri shared with the children.