Alchemy and Healing

Catherine Lewis has taken over the gallery 1a Inverness Place,  an empty shop, as part of her wellspace residency.

Cat works with materials that she gathers from her local environment  –  natural, local plant materials, and uses sustainable print processes and recycled cloths.

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Catherine had collected water and wood from a nearby healing well site, and was using it as part of the residency, encouraging visitors to draw and write using her wonderful inks made from walnuts, beetroot, hibiscous, turmeric.

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The spring, which still exists at The Oval and which was the principal reason for the arrival of St. Isan in the area in 535AD, is known as Ffynnon Llandennis. Ffynnon Llandennis is one of a number of healing springs in Cardiff which were considered to be holy and endowed with powers of healing…

‘It rises out of the soil with great force, and immediately forms a pool of considerable size, which is overhung with trees, and teems with aquatic growths of various kinds. The scene is one of wild and romantic beauty…’ (John Hobson Mathews, 19C city archivist).

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The well-tree dressing has echoes of the clootie well tradition, which are places of pilgrimage in Celtic areas. Strips of white cloth or rags are tied to the branches of the tree as part of a healing ritual.

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Catherine has created a well-ness space for slow making and recovery; a space that houses her urban ink making lab, using the well water and materials found whilst walking between the well sites and the gallery. She invites visitors to bring ink ingredients to her and also donations of old bottles to store ingredients and finished inks.

 

 

 

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Art on the Hill

My friend transformed his flat into a gallery space for local artists as part of Art on the Hill in Newport.

11:00 – 18:00 : Art House #1, 26 Bryngwyn Road (19) *PG*
The first in a series of mixed media events that focus upon the more outer edges of Newport’s developing art scene. Featuring work by: Poddington Moore, Stephen Hammet, TEMMAH, Patrick Sullivan, Johnathan Sherwood, Barrie J. Morgan, Myrig Watkins, Ffion Trefor, Melanie Wall, Steven George Jones, Andrew Narowsky, Ariel Serotonin Jones, Sarah Featherstone, Eamon Sweeney, Philip Morgan, Jay Steward and John McCarthy.
https://www.facebook.com/events/317332562420476/

Elves and Trolls

Exploring the amazingly magical Iceland this week on the Children’s Storytelling and Art Course, where an elf expert is consulted before routing a new road through rock piles that may be elf habitats, and trolls are everywhere in the landscape if you know where to look.

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Elf Queen by Bethan

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Troll by George

 

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Trolls by Theo

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Elf Ship by Iolo

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Satlech by George

Ghost Mazes by George and Caius, and poltergist by Paddy.

New Work

Once again using set parameters of reclaimed tile 50x50cm, and circular form, I am continuing to experiment with elements of relief using plaster and glue to create texture (inspired by Ernst’s experiments). The composition, apart from these self-defined limits, is automatic.

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“The joy in every successful metamorphosis conforms . . . with the intellect’s age-old energetic need to liberate itself from the deceptive and boring paradise of fixed memories and to investigate a new, incomparably expansive areas of experience, in which the boundaries between the so-called inner world and the outer world become increasingly blurred and will probably one day disappear entirely.”

“What is Surrealism?” (1934), Max Ernst

New Studio Space

For a few years, when the Kings Road Artists have had open studio days, I have visited, and always come away thinking how wonderful it would be to have a permanent space in a building dedicated to working artists. I was warned that spaces were much in demand and hardly ever became available, so I was more than ecstatic last week when I found out that a space had been allocated to me.

The studios were established in 1986, and the courtyard in which they are located has developed into an exciting space to hang out, with coffee,  fresh bread, martial arts, and not forgetting Pipes Artisan Beer. There is also a farmer’s market every Saturday and regular craft and vintage markets, so I will have to be disciplined!

I think this is an important stage in my journey as an artist, as I can at last begin to properly develop my work. It feels like being able to breathe now that I have enough space to store my materials and to experiment without the inhibition of having to clean up after each session.

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My new studio.

For  now, I’m continuing with my textured pieces on reappropriated materials that have already ‘lived’ in a different form, building layers and scraping back to create a constant tension between destruction and creation.

 

Close Your Eyes and Sing

Our workshop ‘Close Your Eyes and Sing: Expressive Painting,’ for the community arts festival, Made in Roath was a great success. More than fifty abstract works of art were created by individuals using the backs of old carpet tiles, and Picasso’s advice that ‘to draw you must close your eyes and sing’.

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Our first participants were good on the eyes closed part, but struggled to think of song lyrics, and didn’t seem keen on just humming or la la-ing, despite much encouragement! We weren’t too strict about following the rules, and by Sunday most people were painting with eyes wide open, which produced slightly different, more controlled work, but overall there was no worrying about not being able to paint or draw, as everyone was willing to have a go at manipulating the paint.

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I loved how the works were all so wildly different: even though the only materials were basic poster paints in primary colours, there was a surprising range of tones and textures and some wonderful mark making and use of negative space.

Participants working on their tiles.

 

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A few people came back the next day for a second go, or to tell us how much they enjoyed it. As it was such beautiful weather, it was possible to dry the paintings in the sun so that participants were able to collect their work later in the weekend.