Studio Day: New Prints

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Seeking Transparency

For our Saturday afternoon drop-in session to experiment with cyanotype, or sun prints, participants brought along an assortment of things to try out on the photo-sensitive paper. Beads and seeds, feathers and flowers fresh from the garden were laid out and placed under the UV light bed for exposure.

Creating compositions using a variety of materials.

The most effective were often the most transparent or delicate items. Mary brought along a tracing on acetate of grasses she had made for a lino cut, and this worked beautifully, with small skeins of wool for clouds. Experimenting with double-exposure techniques added depth and interest: netting placed over the exposed grasses gave the effect of light rippling through them.

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Rosalind, who is a wonderful illustrator, began to draw her designs on tracing paper, adding photogram items such as glass beads to enhance the composition. The tracing paper also adds varying tones.

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Glass bottles from a flea market became ghostly alchemist’s wares. Sally’s double exposure using feathers and dried hydrangea flowers was also magical.

 

 

 

Children’s Printmaking Day

‘Children are remarkable for their intelligence and ardour, for their curiosity, their intolerance of shames, the clarity and ruthlessness of their vision.’
— Aldous Huxley

We began the session drawing faces, practicing on tracing paper before transferring to the styrofoam. The children quickly got the hang of etching into it, creating wonderfully detailed characters.

 

They were excited about seeing the progression from their drawing to being able to pull multiple prints from their etchings, and were soon confident enough to go straight into etching out their ideas.

Next, the children chose a leaf from a selection collected in the park, and attempted to name the type of tree it was from. They chose from two coloured inks that I had rolled out, printing the leaves in their own designs to create a background.

Onto this background, styrofoam stamps that the children had drawn and carefully cut out were printed to create the finished pictures. Fantastic work!

 

 

Cyanotype Workshop

This was a drop-in session I ran at Cardiff Print Workshop as preparation for my upcoming Cyanotype Drop-in Session on 16th September. After my short introduction about the history and process of cyanotype printmaking, participants experimented with a variety of objects and techniques to produce interesting, abstract photograms.

 

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Jenny syringing water designs onto the surface before exposing

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Derek’s space-inspired piece using glass beads, agate, seeds and water.

 

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Rinsing the pictures after exposure

 

 

 

 

 

 

 

 

 

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Cyanotypes at Spike Island

Prints developing in the bus stop: Charlotte Biszewski‘s cyanotype session at Spike Island in Bristol.
Rinsing out the chemicals.
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One giant banner of tracing paper transferred onto the prepared paper for exposure by the sun (which happily obliged, despite rain forecast).

 

 

Detail after being hosed.

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