Marcus and Nick (Redbrck Productions) visited the studio on Tuesday to collect footage for the Cultural Cwtsh Film. I have been busy preparing the script – a ten minute presentation on how to create photo stories that I sent to the guys in advance so they could make a schedule for the day. As I’ve … More Filming Day
I have been commissioned by Arts Council Wales to create a short video of a creative activity for NHS staff, to be uploaded to their Creative Cwtsh website. I am particularly pleased to be able to do this, having trained as a nurse back in the 90’s, and also having accessed healthcare during lockdown. I … More New Commission: Photo Poems for NHS Staff
Two inspiring photography exhibitions in London recently: Roman Vishniac Rediscovered at The Photographers’ Gallery, and Guido Guidi: Per Strada at Large Glass. Vishniac is best known for having created one of the most widely recognised and reproduced photographic records of Jewish life in Eastern Europe between the two World Wars. This exhibition features iconic works … More Memories and Monuments
This weekend, I travelled to Wakefield to see Human Landscapes, the first UK retrospective of the work of the much-overlooked Polish artist Alina Szapocznikow (1926–1973). Powerful, innovative, disturbing, these pieces have dark undertones, which isn’t surprising when you discover that Szapocznikow survived several of the Nazi camps as a teenager, and bouts of severe illness. … More Awkward Objects: The Work of Alina Szapocznikow
I’m exhibiting a digital photo portrait ‘Matilda’ from my Mothers series of a remarkable woman in this exhibition, accompanied by a poem, ‘Goddess – My Mother with Parkinson’s who dreams vividly at night’, by Toni-Ann La-Crette.
In preparation for the drop-in cyanotype session I’m running on Sunday at Cardiff Print Workshop, I arranged some plant life and other things onto coated paper and left it to make its mark in the sunshine. Here are the results.
Prints developing in the bus stop: Charlotte Biszewski‘s cyanotype session at Spike Island in Bristol. Rinsing out the chemicals. One giant banner of tracing paper transferred onto the prepared paper for exposure by the sun (which happily obliged, despite rain forecast). Detail after being hosed.
Cyanotype prints on paper (14.8 × 21cm)