Sue Goddard and I will be running this course at Llanover Hall Arts Centre after half term. One of our themes will be exploring creation myths from many cultures with the children, encouraging them to create stories, poems, and images using printmaking and expressive drawing and collage.
Georgina Peach and I are running an Expressive Drawing Workshop on Sunday 22nd as part of the fabulous madeinroath festival – see here for details. Expect scrunched up paper, paint flicking, drawing with eyes closed, and other fun ways of drawing/not-drawing.
“Expressive, or automatic drawing was used by the Surrealists to express the subconscious using any technique that eliminates conscious control and replaces it with chance. No drawing skills required, just a chance to experiment with lines and marks to create bold and dynamic work. Drawing from instinct and feelings, rather than formal technique, without the pressure to create something recognizable can be very freeing.”
For the annual Made in Roath Open Exhibition, held this year at The Gate Arts Centre, I’II be exhibiting a triptych of small automatic paintings made spontaneously using a technique called sgraffito. Exhibition runs from 15th – 22nd October.
Winged Fox Triptych – acrylic, each 20x20cm
I’m very excited to have been chosen to work as a creative practitioner in a local primary school as part of the Lead Creative Schools Scheme, an extensive five-year plan to embed the arts and creativity into the Welsh curriculum.
I and a fellow practitioner, Lowri will be working with a group of about twelve Year 2 learners to create a storytelling and outdoor art project, taking inspiration from the rich local history of the area surrounding the school. The artwork created in response to the stories will be installed in a small wooded area in the extensive school grounds.
Lowri, who grew up in the local area, and whose first language is Welsh, told us about the Tŷ unnos (one night house), an old Welsh tradition that claims if a person could build a house on common land in one night with a fire burning in the hearth by the following morning, the land then belonged to them as a freehold. The squatter could then extend the land around by the distance they could throw an axe from the four corners of the house. Old axe and spear heads were discovered in the back gardens of local houses, and as they can now be viewed in the National Museum in Cardiff, we considered taking the children on a field trip to inspire them for their stories and artwork.
One aspect of the artwork will involve making prints from the children’s stories – both monoprint and cyanotype – onto material which will be hung as an installation in the wooded area. Clay and willow may also be used to create structures and sculptures…who knows how things will develop and grow as the children become immersed in the tales…I’II be posting regular updates as the project unfolds.
For our Saturday afternoon drop-in session to experiment with cyanotype, or sun prints, participants brought along an assortment of things to try out on the photo-sensitive paper. Beads and seeds, feathers and flowers fresh from the garden were laid out and placed under the UV light bed for exposure.
Creating compositions using a variety of materials.
The most effective were often the most transparent or delicate items. Mary brought along a tracing on acetate of grasses she had made for a lino cut, and this worked beautifully, with small skeins of wool for clouds. Experimenting with double-exposure techniques added depth and interest: netting placed over the exposed grasses gave the effect of light rippling through them.
Rosalind, who is a wonderful illustrator, began to draw her designs on tracing paper, adding photogram items such as glass beads to enhance the composition. The tracing paper also adds varying tones.
Glass bottles from a flea market became ghostly alchemist’s wares. Sally’s double exposure using feathers and dried hydrangea flowers was also magical.
‘Children are remarkable for their intelligence and ardour, for their curiosity, their intolerance of shames, the clarity and ruthlessness of their vision.’
— Aldous Huxley
We began the session drawing faces, practicing on tracing paper before transferring to the styrofoam. The children quickly got the hang of etching into it, creating wonderfully detailed characters.
They were excited about seeing the progression from their drawing to being able to pull multiple prints from their etchings, and were soon confident enough to go straight into etching out their ideas.
Next, the children chose a leaf from a selection collected in the park, and attempted to name the type of tree it was from. They chose from two coloured inks that I had rolled out, printing the leaves in their own designs to create a background.
Onto this background, styrofoam stamps that the children had drawn and carefully cut out were printed to create the finished pictures. Fantastic work!
This was a Cyanotype Drop-in Session I ran at Cardiff Print Workshop. After my short introduction about the history and process of cyanotype printmaking, participants experimented with a variety of objects and techniques to produce interesting, abstract photograms.