Close Your Eyes and Sing

Our workshop ‘Close Your Eyes and Sing: Expressive Painting,’ for the community arts festival, Made in Roath was a great success. More than fifty abstract works of art were created by individuals using the backs of old carpet tiles, and Picasso’s advice that ‘to draw you must close your eyes and sing’.

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Our first participants were good on the eyes closed part, but struggled to think of song lyrics, and didn’t seem keen on just humming or la la-ing, despite much encouragement! We weren’t too strict about following the rules, and by Sunday most people were painting with eyes wide open, which produced slightly different, more controlled work, but overall there was no worrying about not being able to paint or draw, as everyone was willing to have a go at manipulating the paint.

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I loved how the works were all so wildly different: even though the only materials were basic poster paints in primary colours, there was a surprising range of tones and textures and some wonderful mark making and use of negative space.

Participants working on their tiles.

 

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A few people came back the next day for a second go, or to tell us how much they enjoyed it. As it was such beautiful weather, it was possible to dry the paintings in the sun so that participants were able to collect their work later in the weekend.

 

 

 

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Windows on the World

In their passports, participants of the Storytelling and Art from Around the World course inserted a picture of themselves as a character of their choosing complete with name, magical attributes, and planet of origin.

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Using coloured acetates, windows were made to look in upon various characters created in response to folk stories. This week: Il Gatto Mammone, or The Tale of the Cats in which a girl tugs up a cauliflower revealing a large tunnel into the earth that leads her to a house of cats and adventures therein.

 

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Creative Journeys

In the creative wellbeing sessions this week, I asked participants to create collages and sculptures to represent aspects of themselves. Searching through old magazines for words that resonated seemed to be conducive to both reflection and supportive conversations about elements of participants’ lives. I don’t initiate these conversations, as I am not an art therapist; they arise naturally, just as elements of participant’s journeys towards wellness often manifest in the artworks. I work with individuals who may be coping with conditions such as OCD, paraplegia, anorexia, anxiety and depression, but the emphasis in these sessions is always on the creative process. The classes are a safe, confidential space to share, join in with creative activities, or just take time out from other concerns.

When the sculptures were placed together, there was great potential for narratives about the characters and objects that had emerged from the clay. Participants wrote wonderful short pieces, linking  sculptures together in often stream-of-consciousness poetry and prose which was afterwards shared.

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The Other Side

The bat told them of a flower

beginning to unfurl

so the tree walked along the ridge

with a basket to collect the petals and the tears.

When it came to the river’s edge, the tree

stood there for ten years.

One day a terrapin cracked the water’s mirror,

bearing a golden seed in its beak.

This is you, it said.

I will take you to the other side.