It was wonderful to see the work of Frances Richards on display again at the Glynn Vivian Gallery in Swansea this weekend. I became aware of her work after the retrospective I visited back in 2019 – see here. This time, just one painting: Metamorphosis, 1967 was the inspiration for three of the works commissioned … More Transformations
In January, the company Loud Voices Silent Streets issued a call-out for short monologues (less than 6 minutes) based on the theme of Illusion. My piece originated from a consideration of themes in the ultimate play about illusion, The Tempest. I found the witch, Sycorax fascinating as she is a powerful presence in the play … More Voices From the Future
Today’s work from the Taith Series using found words and collage elements. A random page is taken daily from a charity shop book. Words are removed and rearranged. This is a starting point to begin the documentation of a journey that began at the Equinox.
“In the middle of the journey of our life, I came to myself, in a dark wood, where the direct way was lost. It is a hard thing to speak of, how wild, harsh and impenetrable that wood was, so that thinking of it recreates the fear. It is scarcely less bitter than death: but, … More Taith
One participant of the Friday Creative Wellbeing group is a wonderful surrealist poet in the style of Gisèle Prassinos. From one of her poems, ‘Reasoning Remains a Wealth‘, everyone has chosen a line that resonates with them, and created their own print or artwork, taking inspiration from the words of the poem. We are always discovering … More Structure for a Poem
I’m exhibiting a digital photo portrait ‘Matilda’ from my Mothers series of a remarkable woman in this exhibition, accompanied by a poem, ‘Goddess – My Mother with Parkinson’s who dreams vividly at night’, by Toni-Ann La-Crette.
Two interesting exhibitions in London recently: Hilma Af Klint at the Serpentine Galleries and Georgiana Houghton at the Courtauld Institute of Art. Hilma Af Klint (1862–1944), of Sweden was creating abstract works about five years before Kandinsky. Through her work with the group “The Five,” af Klint created experimental automatic drawing as early as 1896, … More The First Abstractionists