I was invited to facilitate a workshop for PhD students recently at the National Museum of Wales, Cardiff. It is part of a wonderful initiative by Shibani Das and Rebecca Howarth: the Researchers Wellbeing Thru Arts project, created to help PhD students to incorporate art into their research methodology and communication. As well as connecting academia … More Creative Connections: Academia and the Arts
“It is not easy to paint. It is very strenuous. But it’s something you’ve got to do if you have the urge”. – Janet Sobel. This exhibition at The Gallery of Everything on Chiltern Street features over 30 astonishing works on paper by the acclaimed/reclaimed figuratist, impressionist, surrealist and abstract expressionist artist Janet Sobel (1893 – 1968). Like … More Janet Sobel: 20th Century Woman
Two important exhibitions in London last weekend: Natalia Goncharova Retrospective at Tate Modern, and Lee Krasner: Living Colour at Barbican. In Goncharova’s famous painting, The Cyclist, the figure is willfully heading in the opposite direction to that indicated by the pointing authoritarian finger. It suitably sums up Goncharova’s spirit. A leading figure of the new … More Palingenesis, and the Art of Everythingism
Two exhibitions in Swansea this weekend: Sarah Poland who has a residency in GS Gallery, and Frances Richards at the Glynn Vivian. Sarah Poland’s mark making using inks made from oak galls has a zen-like quality. I love how she combines this with photographic images she calls ‘moon-drawings’, made by using a long exposure on … More Artists Apart
This year, the fabulous Made in Roath festival have received funding from the Welsh Arts Council, and invited artists to apply to run workshops or exhibitions throughout the festival. I decided to expand on the theme of my last year’s workshop, using one of Picasso’s quotes: ‘To draw, you must close your eyes and sing,’ … More Painting the Tiles
I first came across this artist at Tate Modern in 2013, surprised that this was the first exhibition there dedicated to African Modernism. Ibrahim El-Salahi has recently had a solo exhibition at the Ashmolean, Oxford where he now lives. I stood in front of this 8 foot square painting: Reborn Sounds of Childhood Dreams I (1961–5) … More Ibrahim El-Salahi: A Visionary Modernist
The exhibition Surface Work (11 April – 16 June 2018 at the Victoria Miro, Mayfair) was a rich feast, with abstract work by more than 50 artists, all women, from five continents, spanning every decade between 1918 and 2018. I knew of some of the artists who have “shaped and transformed, and continue to influence … More Exhibition: Pioneering Abstract Artists
This weekend, I travelled to Wakefield to see Human Landscapes, the first UK retrospective of the work of the much-overlooked Polish artist Alina Szapocznikow (1926–1973). Powerful, innovative, disturbing, these pieces have dark undertones, which isn’t surprising when you discover that Szapocznikow survived several of the Nazi camps as a teenager, and bouts of severe illness. … More Awkward Objects: The Work of Alina Szapocznikow
A wonderful day with lots of visitors taking up our expressive drawing challenge for Made in Roath festival. We rolled out long sheets of paper, and invited participants to use paint, charcoal and pastels to experiment and have fun.
This was a Cyanotype Drop-in Session I ran at Cardiff Print Workshop. After my short introduction about the history and process of cyanotype printmaking, participants experimented with a variety of objects and techniques to produce interesting, abstract photograms.
Sarah J Featherstone 